Reprinted without permission
from The New Scientist. Notice how good the writing is. Ah,
to have an editor!
Senses special: Doors of perception
29 January 2005
From New Scientist Print Edition
Bruce Durie
Bruce Durie is a science writer based in Scotland at the
University of Strathclyde in Glasgow
Making sense of the senses
TRY something for me, will you? Close your eyes. Now
stretch out your arms. How do you know where they are? Now
wiggle your fingers. How do you know they are moving? Now
do it all again, standing on one leg (eyes still closed,
remember). Did you fall over, and if so, did it hurt?
It won't come as any surprise that you have your senses to
thank for managing this feat at all. But which ones? It
certainly wasn't sight, sound, taste, smell or touch.
While schools still teach us that there are five senses -
an idea that came courtesy of Aristotle and permeates
popular culture - the count is at odds with science. Try
grabbing an ice cube with one hand and a red-hot poker with
the other, and tell me that what you feel can be
encompassed by the favourite five. Go on a white-knuckle
ride at any theme park and convince me that everything you
experienced was down to sight, sound and touch. You
probably had your eyes closed anyway. There is clearly more
to sensation than these five categories. So how many senses
do we have?
In some ways the answer depends on how we divide our
sensory systems up. For example, we could classify senses
by the nature of the stimulus. In this sense (as it were)
there are just three types, not five - chemical (sensed as
tastes, smells or "internally", as with blood glucose),
mechanical (touch and hearing) and light (vision). Some
animals also have electroreception or a magnetic sense. All
these groups of sensation require quite different sensory
systems. Something dissolving on the tongue and producing
an odour which permeates up into the nose and fits into a
receptor is quite different from the mechanical movement of
a hair cell in the inner ear, or a photon hitting the
retina.
But we could as easily subdivide these further, and define
a "sense" as a system consisting of a specialised cell type
responding to a specific signal and reporting to a
particular part of the brain. For instance, taste could be
seen not as one sense but five - sweet, salt, sour, bitter
and "umami", a Japanese word for the taste of glutamate,
which gives us our sense of meaty flavours. Vision could be
viewed as one sense (light), two (light and colour) or four
(light, red, green and blue). In some animals there are
retinal cells which respond only to movement. Some people
might consider that to be yet another sense. Neurologists
classify pain as cutaneous, somatic or visceral depending
on where it is felt - but does this mean they are different
sensory systems or are they simply a matter of geography on
and in the body?
Many people would agree that they can sense temperature,
pressure, touch, joint position (proprioception), body
movement (kinaesthesis), balance and feelings associated
with a full bladder, an empty stomach or thirst. But there
are other monitoring systems in the body that we can never
be even dimly "aware of" - sensing the pH of the
cerebrospinal fluid would be an example.
And take hearing. Is this one sense, or many hundreds, one
per cochlear hair cell? That is probably taking things a
bit too far, but it is interesting to note that we can lose
high-frequency hearing without losing low-frequency acuity,
and vice versa. So maybe they should be thought of
separately. The more we study the structure of our sense
organs, the more senses we appear to have.
But, intriguing as all this is, sensation alone isn't
really all that important. When we talk of senses, what we
really mean are feelings or perceptions. Otherwise we'd be
operating not much above the level of an amoeba or a plant.
The majority of the natural world gets by with just one or
two senses - typically light and touch. A plant that grows
to follow the apparent motion of the sun or the Venus
fly-trap closing over an insect is merely reacting
mechanically to a stimulus.
We, on the other hand, see light and shade but perceive
objects, spaces and people, and their positions. We hear
sounds, but we perceive voices or music or approaching
traffic. We taste and smell a complex mixture of chemical
signals, but we perceive the mix as ice cream or an orange
or a steak. Perception is the "added value" that the
organised brain gives to raw sensory data. Perception goes
way beyond the palette of sensations and involves memory,
early experiences and higher-level processing.
What you hear, for example, is not just a simple sum of the
sounds collected by each ear, but a bigger picture. Various
processes come into play, some of which allow the brain to
tell the direction of the noise. Even more complex
processes enable us to screen out one sound when attending
to another. In the well-known "cocktail party phenomenon",
for example, we ignore all extraneous sounds while taking
part in a conversation, but can quickly switch focus if
someone else mentions our name. The implication is that we
were always "listening" to ambient sound but not always
"hearing" it, except when it suddenly becomes meaningful.
Our perception goes far beyond the bare sensation.
Higher animals only have to solve one general survival
problem in life when encountering an object - should I eat
it, run away from it or mate with it? In making this
decision they get ample help from everything they gather
from this new experience and previous similar ones. But
more primitive animals, with more limited neural equipment,
get easily fooled by brightly coloured flowers, or
adversaries who can suddenly swell in size, have markings
that look like eyes or smell of something unrelated, not to
mention all the other tricks evolution has learned to play.
A highly perceptive animal is not so much at the mercy of
its primitive senses.
The bottom line is that we make a mistake in concentrating
on senses, and even in arguing about how many there are.
Perception is what matters, and sensation is what
accompanies it.
For humans there are other everyday implications of all
this. One is in our judgement of size. Consistency in our
world view stems from the fact that objects do not usually
change size over short periods of time. So for an object
that we are familiar with, like a car, the larger it
appears, the closer to us we perceive it to be. Though the
image we sense is small, we "know" the object is big. But
we can make mistakes. Clouds can be any shape and size, so
their distance is hard to judge. Trains are familiar but
most of us don't realise just how big they are, and so we
misjudge their speed and how far away they are, which leads
to around 3000 accidents annually in the US alone. We don't
solve these problems by internally agonising over which
senses are involved or how many senses, but by making a
perceptual whole out of it. That is a higher brain
function.
Take the strange case of synaesthesia, a mixing of the
senses. The most commonly reported forms are experiencing
sounds, letters, numbers or words as colours. Synaesthesia
is highly developed in some individuals, who were until
quite recently dismissed as raving fantasists and sometimes
even misdiagnosed as schizophrenic. They may speak of an
aroma's texture or the taste of different letters of the
alphabet. It may be possible to "hear" the taste of a peach
or "feel" a colour. What this tells us is that the senses
are less than primary, and that perception is what we
really get.
Quite possibly, the brain is set up to do exactly this sort
of "sense-mixing" as part of the road to perception. There
is growing evidence that crosstalk in the brain between
different sensory areas mixes up things more than we might
imagine. We may spot or recognise objects more easily if we
hear a relevant sound at the same time. We may even believe
we've heard something different if we are fooled into
lip-reading something at odds with what is spoken. Ask any
migraine sufferer about how a scent can trigger pain.
Possibly we all have this facility to a greater or lesser
extent, which is why minor chords are "sad" and blues music
is "blue" (an interesting use of language in this context)
and food can taste "sharp".
Of course, none of this is helped by confusion of
nomenclature. Some things commonly labelled a "sense" are
no such thing - a sense of loss, having a "sixth sense" -
but perhaps the circadian rhythm system should be included.
Or is that part of perception rather than a sense? The
table on this page tries to bring together the cellular and
other definitions of senses into some sort of framework.
Doubtless it is flawed, and partial, and open to debate. If
anything, it is incomplete. Though in the end, it may not
matter at all.
And so, there are at least 21 senses and possibly more. But
they could be a distraction. Would we do ourselves a favour
by forgetting them, and concentrating on perceptions? As
usual, science is fated to challenge everyday beliefs and
appear counter-intuitive. We are acutely aware of our
vision, smell, touch, so to say they don't matter initially
seems daft. But senses may one day be consigned to the
scientific dustbin, along with spontaneous generation,
phlogiston and instantaneous events. It's just common
sense, really.