Cartography of the Ecstatic and Meditative
States
When I entered
graduate school at University of California, Irvine in
1977, this is the first paper my main professor, Doug
Chalmers, gave me to read. It is extremely dense reading
but full of value.
The Holistic Path
SCIENCE
Vol 174 Num 4012 26 November 1971
A Cartography of the Ecstatic and Meditative
States
Roland Fischer
In this age so concerned with travel in outer as well as
inner-space, it is strange that, while we have detailed
charts of the moon, we have no cartography of the varieties
of human experience. In order to draft a map of inner
space, I am ready to be your travel guide and take you on
two voyages: one along the perception-hallucination
continuum of increasing ergotropic (1)
arousal, which includes creative, psychotic, and ecstatic
experiences; and another along the perception-meditation
continuum of increasing trophotropic (1)
arousal, which encompasses the hypoaroused states of Zazen
and Yoga samadhi.
Along the perception-hallucination continuum of increasing
arousal of the sympathetic nervous system (ergotropic
arousal), man--the self-referential
system--perceptually-behaviorally (cortically) interprets
the change (drug-induced or "natural") in his subcortical
activity as creative, psychotic, and ecstatic experiences
(2).
These states are marked by a gradual turning inward toward
a mental dimension at the expense of the physical. The
normal state of daily routine, our point of departure, is
followed by an aroused, creative state, which can be
characterized by an increase in both data content (a
description of space) and rate of data processing ["flood
of inner sensation' (3),
or most intense time (4)].
However, in the next aroused state on the continuum, acute
schizophrenic [or rather "hyperphrenic"
(5)]
state, further increase in data content may not be matched
by a corresponding increase in the rate of data processing.
While the creative state is conducive to the evolution of
novel relations and new meaning, the psychotic "jammed
computer" state interferes with the individual's creative
interpretation of the activity of his central nervous
system (CNS). At the peak of ecstatic rapture, the outside
(physical) world "retreats to the fringe of consciousness"
(6),
and the individual reflects himself in his own "program."
One can conceptualize the normal, creative, "hyperphrenic"
and ecstatic states along the perception-hallucination
continuum as the ledges of a homeostatic step function
(7).
While the creative person may travel freely between
"normal" and creative states, the chronic schizophrenic
patient is stranded in the "jammed computer" state. And the
talented mystic, of course, does not need to go through
every intermediate step to attain ecstasy.
The mutually exclusive relationship between the ergotropic
and trophotropic systems (8)
justifies a separate perception-meditation continuum of
increasing trophotropic arousal (hypoarousal) that is
continuous with, and to the right of,
perception-hallucination continuum (Fig. 1).

Fig 1. Varieties
of conscious states mapped on a perception-hallucination
continuum of increasing ergotropic arousal (left) and a
perception-mediation continuum of increasing trophotropic
arousal (right). The loop connecting ecstasy and
samadhi represents the rebound from ecstasy to samadhi,
which is observed in response to intense ergotropic
excitation. The numbers 35 to 7 on the
perception-hallucination continuum are Goldstein's
coefficient of variation (46), specifying the decrease in
variability of the EEG amplitude with increasing ergotropic
arousal. The numbers 26 to 4 on the perception-
mediation continuum, on the other hand, refer to those
beta, alpha, and theta EEG waves (measured in hertz) that
predominate during, but are not specific to, these states
(17).
The course of our second trip, therefore, will take us in
the opposite direction, along the tranquil
perception-meditation continuum, where man may symbolically
interpret his gradually increasing trophotropic arousal as
Zazen, and, ultimately, samadhi.
That the two continua in Fig. 1 represent two mutually
exclusive states of arousal has been well documented by
Hess (1)
and Gellhom (8,
9).
The mutual exclusiveness of the ergotropic, and
trophotropic systems can also be illustrated by
characteristic changes in the frequency of the small,
involuntary, micronystagmoid movements of the eye. These
rapid scanning movements (with a mean frequency of one per
second and an amplitude of 5 to 10 minutes of arc) are
regarded as a prerequisite for the fixation of an object in
physical space-time (10).
The frequency of saccadic movement is increased five to
eight fold in response to the ergotropic arousal induced by
moderate doses of mescaline, psilocybin, or LSD (D-lysergic
acid diethylamide) (10).
This increase is also present without drugs in acute
schizophrenic (11)
[that is, patients in a state of ergotropic arousal, the
"alarm reaction" (12)
stage of Selye's general adaptation syndrome
(13)].
On the other hand, 0.9 gram of alcohol per kilogram of body
weight and even sleepiness and fatigue, decreases saccadic
frequency (14);
more precisely, 0.01 milligram of Valium (diazepam) per
kilogram of body weight reduces the saccadic frequency by 9
degrees per second (15).
Such a progressive decrease seems to be a characteristic
feature of trophotropic arousal along the
perception-mediation continuum. That the alpha
rhythm appearing on the electroencephalogram (EEG)
appears to be phase-locked to the onset of saccades
(16)
may also be of significance, since states of progressively
greater trophotropic arousal along the
perception-meditation continuum are characterized by EEG
waves of progressively lower frequencies (measured in
hertz) (17)
(see Fig.
1, right).
Moreover, since a complete arrest of saccadic frequency,
[for example, by optical immobilization of the retinal
image (18)]
results in periodic fading, disintegration, and fragmented
reconstruction of the image, we may postulate that reduced
saccadic frequency may be linked with the Yogi's comment
that, at the peak of a meditative experience, he can still
see "objects," but they have no predicative properties
(19).
What Are Hallucinations and How Can They Be
Measured?
The hallucinatory or waking-dream states along the
perception-hallucination continuum can best be described as
experiences of intense sensations that cannot be verified
through voluntary motor activity. Note that such a
definition does not differentiate between dreams and
hallucinations; for example, see the "Three Wise Men" (Fig.
2 unavailable).
Two of the three wise men dream with eyes closed, while the
third, with eyes open, hallucinates the angel who carries
all three away from the "real" world into a mental
dimension. We can describe verifiable perceptions,
therefore, by assigning to them low sensory-to-motor (S/M)
ratios (20),
while non-verifiable hallucinations and dreams can be
characterized by increasing S/M ratios as one moves along
the perception-hallucination or perception-hallucination
continuum toward ecstasy or samadhi, the two most
hallucinatory states (21)
(Fig.
1, left and
right, respectively). Moderate doses of the hallucinogenic
drugs LSD, psilocybin, and mescaline (22)
can get one "moving" along the perception-hallucination
continuum, whereas minor tranquilizers and some muscle
relaxants may initiate travel along the
perception-meditation continuum. If high S/M ratios do,
indeed, reflect hallucinatory experiences, as my definition
of hallucinations would imply, it would be important to
quantify S/M ratio as a measure of hallucinatory intensity.
In fact, a quantitative meaning has been given to the S/M
ratio by measuring the components of a psychomotor
performance, specifically, handwriting area and handwriting
pressure (20),
in volunteers during a psilocybin induced waking-dream
state. The techniques for measuring handwriting area (S)
(in square centimeters), as well as for obtaining
handwriting pressure (M) (in 104dynes
averaged over time), with an indicator that operates on a
pressure-voltage- to-frequency basis, have been described
elsewhere (20).
Using these two parameters prior to (T1) and at the
peak,(T2) of a psilocybin-induced experience [160 to 250
micrograms of psilocybin per kilogram of body weight], we
found in a sample of 47 college-age volunteers a 31 percent
(T1 -T2) increase in mean S/M ratio. I should note that the
standard deviation on handwriting area at T1 is
significantly related to the S/M at T1 (r = 0.4888, P <
.01, N =47) and that the standard deviation is a simple and
useful indicator of the ensuing drug induced increase in
S/M ratio (r= 0.372, P<.01, N=47). Moreover, subjects
with a large standard deviation on handwriting area at T1
(that is, "variable" subjects), tend to be "perceivers,"
whereas volunteers with a small standard deviation at T1
("stable" subjects) tend to be "judgers," in terms of the
Myers-Briggs Type Indicator. This self-reporting,
Jungian-type personality indicator yields simple,
continuous scores on four dichotomous scales:
extroversion-introversion, sensation-intuition,
thinking-feeling, and judging-perceiving
(23).
The perceivers also overestimate or contract time more than
judgers do at the peak of a psilocybin-induced experience
(4):
this implies that perceivers move faster and farther along
the perception-hallucination continuum than do judgers, who
apparently require a larger dose for a comparable
experience.
Space and Increasing Hyper and
Hypoarousal
We call man's symbolic interpretation of his CNS activity
"perception-behavior" and regard creative, "hyperphrenic,"
and ecstatic states, as well as Zazen and samadhi, as
perceptual-behavioral interpretations of ergotropic and
trophotropic arousal, respectively. We may now consider
some of the perceptual-behavioral changes, or
transformations, that gradually develop as the level of
arousal increases and decreases along each continuum. One
of the most conspicuous transformations is that of
"constancies" (24),
which in the normal state of daily routine form a learned
structure of primary ordering of space and time "out
there." Although the newborn infant's only reality, in the
beginning, is his CNS activity, he soon learns, by bumping
into things, to erect a corresponding model "out there."
Ultimately, his forgetting that his CNS activity had been
the only reality will be taken by society as proof of his
maturity, and he will be ready to conduct his life "out
there" in (container) space and (chronological) time
(4).
This gradually learned and projected model, then, is the
representation of a world ordered and stabilized by
self-programmed invariances. The adult interprets his CNS
activity within this structure of similarity criteria, or
"constancies," and thus experience can be said to consist
of two processes: the programmed (subcortical) CNS
activity; and the symbolic or perceptual-behavioral
(cortical) interpretation, or metaprograms, of the CNS
activity. I have studied the transformation of certain
constancies along the perception-hallucination continuum
and find, for example, that the ability to readapt to
optically induced spatial distortions, or to maintain the
constancy of the visual world, gradually diminishes as a
subject turns inward under the influence of psilocybin
(25).
Another finding revealed that the preferred level of
(the constancy of) brightness increases under the influence
of hallucinogenic drugs (26),
but only in "variable" subjects (20,
27)--that
is, those subjects whose large standard deviations on a
variety of perceptual and behavioral tasks indicate a large
and varied interpretive repertoire. However, in "stable"
subjects, who are characterized by small standard
deviations and, thus, by smaller and more predictable
interpretive repertoires, the level of preferred brightness
decreases when they are under the influence of
hallucinogenic drugs. In addition, nearby visual space was
found to gradually close in as subjects moved along the
perception-hallucination continuum under the influence of
moderate doses of psilocybin. This contraction of nearby
visual space was observed with two different techniques:
monitoring the apparent fronto-parallel plane
(28),
and handwriting measurements (29).
The transformation of constancies under ergotropic
arousal--specifically as manifested in the
psilocybin-induced contraction of nearby visual space--can
also be observed in acute schizophrenics under "natural"
ergotropic arousal (that is, without hallucinogenic drugs).
The transformation of constancies during acute psychotic
episodes apparently gives rise to a "vertical displacement
of the visual angle," which is implicit in a contraction of
visual space and which results in an elevation of the
horizon (30).
Rennert (30),
who for years has studied the angle of perspective in the
drawings of schizophrenic patients, finds the acuteness of
a schizophrenic episode to be significantly related to the
height of the horizon in the patient's drawings. In fact,
using a ruler, Rennert can predict remission or relapse
from the position of the horizon in a drawing: the more
severe the schizophrenic episode, the higher the position
of the horizon--ultimately, it may even disappear. At the
same time (see cover - unavailable),
a map-like perspective, or bird's-eye view, of the
landscape results, with houses and other significant
figures appearing in the foreground. The cover etching,
made during an acute (hyperaroused) schizophrenic episode,
demonstrates the contraction of nearby visual space,
resulting in a raised horizon. Note that the elevation of
the horizon forces the animals to walk at a steep angle.
Compare with the low horizon in another etching by the same
patient after remission (31).
I have also observed that the just noticeable difference
(JND) in taste, expressed as Weber fraction, becomes
smaller with increasing ergotropic arousal: subjects need
fewer molecules of a sapid substance (such as sucrose,
quinine, and so on) to taste a JND in sweetness or
bitterness. On the other hand, under the influence of
tranquilizers of the phenothiazine type, the Weber fraction
becomes larger: more molecules are needed to taste a JND
(32).
Since the Weber fraction is constant at levels of arousal
associated with daily routine (within the
customary middle range of taste sensitivity)
(33),
I interpret the above as examples of arousal-induced
transformations of constancies. Because the number of
molecules necessary to elicit the sensation of a JND
gradually decreases during a voyage from the physical to
the mental dimension along the perception-hallucination
continuum, it might be extrapolated that no sapid molecules
at all are needed for the experience of taste during
ecstasy, the most hyperaroused hallucinatory state.
It should be emphasized that the projection of our CNS
activity as location in the physical dimension of space and
time "out there" was learned at, and is hence bound to, the
lower levels of arousal characteristic of our daily
survival routines. That this projection is gradually
learned can be supported by Bender's observation that
schizophrenic children "do not experience hallucinations of
the projected type like adults, but only of the introjected
type. They hear voices inside their head or other parts of
the body, feel that they originate inside themselves and do
not feel persecuted by them" (34).
The constancy of corporeal awareness also undergoes
transformations as one moves along the
perception-hallucination continuum. For instance, phantom
sensations [that is, readaptation phenomena compensating
for and correcting distortions of corporeal awareness in
physical space-time (35)]
gradually diminish and disappear as one moves into the
mental dimension under the influence of hallucinogenic
drugs (36).
Depersonalization phenomena, on the other hand, manifest
themselves as changes in body image, and usually accompany
the dissolution of ego boundaries during creative,
psychotic, ecstatic, or meditative states--whether
"natural" or drug-induced--as well as while falling asleep.
All of this is to say that the constancy of the "I" is
interfered with as one moves along the
perception-hallucination continuum from the "I" of the
physical world to the "Self" of the mental dimension;
Analogously, the perception-meditation continuum
(Fig.
1, right) also
involves a departure from the "I" to the "Self." These two
continua can thus be called "I-Self" continua. As will
become clear later, the "Self" of ecstasy and the "Self' of
samadhi are one and the same "Self."
The further we progress on the perception-hallucination
continuum from the normal through the creative, psychotic,
and, ultimately to the ecstatic state (Fig.
1), the more
complete is the transformation, or "unlearning," of the
constancies of the physical dimension. Input, or outside
information in general, is gradually reduced along this
continuum. Thus, Saint Teresa of Avila tells us in her
autobiography that, at the peak of a mystical experience,
"... the soul neither hears nor sees nor feels. While it
lasts, none of the senses perceives or knows what is taking
place" (6).
Space, then, which was gradually established in
ever-widening circles during childhood, gradually contracts
with increasing arousal and ultimately disappears.
Time and Increasing Hyper- and
Hypoarousal
A gradual contraction and ultimate disappearance is also
the rate of chronological time in the physical dimension
(of the "I" state) as one progresses along the
perception-hallucination or the perception-mediation
continuum. In particular, we find that LSD
(37)
and psilocybin (4) cause, an overestimation of time, the
magnitude of which is related to a subject's variability on
a perceptual or behavioral test before ingesting the given
drug. The greater a subject's variability before ingesting
a drug--for example, the retest-variance on his quinine
taste-threshold or the standard deviation on his
handwriting area--the greater will be his contraction or
overestimation of time at drug peak [that is, 150 minutes
after the oral administration of 160 to 200 micrograms of
psilocybin per kilogram of body weight, when 63 minutes of
chronological time (in geometrically increasing intervals)
are estimated and recorded (4)].
Moreover, the greater the subject's variability, and thus
his contraction of time, the greater will be his "rebound
effect" 24 hours after: that is, his underestimation or
expansion of time (4).
Dividing people, according to the magnitude of their
perceptual variability, into "maximizers" ("stable"
subjects) and "minimizers" ("variable" subjects) assists
one in resolving the hotly debated question of whether time
"flies" or "drags" during a hallucinogenic drug-induced
experience. Actually, as we have found, it does both: it is
overestimated (it "flies" or contracts) by the minimizers,
the subjects with a large standard deviation, who prefer to
decrease (visual) sensory data content and its rate of
processing at drug peak; and it is underestimated (it
"drags" or expands) by the maximizers, the subjects with a
small standard deviation, who prefer to increase data
content and its rate of processing at drug peak.
Such contraction of time parallels the already described
contraction of nearby visual space. By "time-contraction,"
I mean an increase in data content within a chronological
time span, or, in experiential terms, "the flood of inner
sensation" (3);
and I imply that, during such an experience, the subject,
if without a watch, would arrive early for an appointment.
Under the impact of an acute, hallucinogenic drug-induced
experience, the subject usually compares the time
contraction or increased data content of the mental
dimension with his past and present routine performance in
physical space-time and has, therefore, to conclude that
"time" passes slowly. Note, for instance, Hofmann's
classical description of riding home on his bicycle under
the influence of LSD: "The trip is about four·miles and I
had the feeling of not getting ahead, whereas my escort
stated that we were rolling along at a good speed"
(38).
By comparing the usual rate of revolution of the spokes, as
well as the usual rate at which the roadside "passed him
by," with his experience of an increased data content or
"flood of inner sensation," he had to conclude that he was
not getting ahead and that time was dragging. Thus, there
is only an apparent contradiction in terms: while
experience is shifting from the physical toward the mental
dimension, physical or chronological time becomes less and
less important. Still, this transitional state can only be
described in Aristotelian [dualistic, or two-valued
(true-false)] terms of chronological time
(39)
and by comparing experimental with experiential data. This
contradiction resolves itself at the peak of ergotropic or
trophotropic arousal, since these purely mental states are
timeless and spaceless and in no need of comparative
verification.
Increasing Cortical-Subcortical Integration with
Increasing Arousal
If we assume that man, the self-referential system, creates
experience through the cortical (that is,
perceptual-behavioral) interpretation of his subcortical
activity, we may ask about the extent of freedom, or
relative independence, of the mind (cortex) from the
subcortical substratum. Indeed, man is to a large extent
free to interpret his subcortical activity in a variety of
ways at levels of arousal associated with daily routine.
That this freedom is implicit in the functional
independence of the limbic and neocortical systems is
dramatically demonstrated by the fact that the electrical
discharges resulting from hippocampal seizures are confined
to the limbic system (40)
We can find no relation between the extent of
psilocybin-induced perceptual and behavioral (or cortical)
change and a drug-induced increase in pupillary diameter
(41),
which is a drug dose-dependent parameter of autonomic
activity (20,
42).
This lack of a relation points to a large degree of freedom
of cortical interpretive activity, even under moderate
hyperarousal.
The cortical-subcortical independence at the level of daily
routine and even moderate levels of arousal is also
implicit in the results of Maranon's (43)
and Schachter and Singer's (44)
experiments, in which the set and setting determined the
particular cortical interpretation (from "good trip" to
"bad trip") of each subject after his subcortical activity
had been altered by an injection of 0.5 cubic centimeter of
a 1:1000 solution of epinephrine.
It is now common knowledge that the set and setting, as
well as the personality, decisively influence the cortical
interpretation of hallucinogenic drug-induced changes in
subcortical activity (45).
What is not fully realized is that set, setting,
personality, expectations, and past experiences determine
the cortical "effects" of most of the psychoactive drugs
when they are used in medically endorsed dosages. In fact,
except for the anesthetics and hypnotics, there are no
drugs that selectively direct human cognitive
(psychological, or, in our terms, cortical) functions.
With rising levels of ergotropic and trophotropic arousal,
however, perception-behavior becomes increasingly dependent
upon (or less free of) the subcortical substratum that
generates it. A cat responds to ergotropic hyperarousal
with rage, while at the peak of trophotropic arousal the
animal always yawns, curls up, and falls asleep. But man
may be compelled to interpret these two extreme states of
hyper and hypoarousal as ecstasy and samadhi. This
increasing stereotypy (loss of freedom) with increasing
ergotropic arousal can be observed, for example, as a
decrease in the variability of the EEG amplitude, which
Goldstein and others have measured with a Drohocki
integrator (46).
A decrease in variability is expressed as the coefficient
of variation (see the coefficient of variation values for
states ranging from relaxation to catatonia in
Fig.
1)
(46,
47).
Increasing stereotypy also manifests itself as an increase
in the S/M ratio (20),
thus indicating an intensification of inner sensations,
accompanied by a loss in the ability to verify them through
voluntary motor activity. Such high S/M ratios are implicit
in the statements uttered during both drug-induced
hallucinations and the hallucinations of schizophrenics:
"of being hypnotized," "of being not free." "of being
overpowered," "of being paralyzed," and so on, and in the
mystic's inability to experience the subject-object
dichotomy of daily routine in the physical dimension.
Apparently, then, an increase in ergotrophic arousal is
paralleled by a restriction in the individual's repertoire
of available perceptual-behaviora1 interpretations. This
restriction implies that certain levels can
only
be
interpreted as creative (artistic, scientific, religious)
or psychotic experiences (48).
Although a religious interpretation is a common feature of
catatonia (49),
ecstasy, which is the mystical experience of the Oneness of
everything, results from a creative breakthrough out of
catatonic hyperarousal. During the ecstatic state, there is
neither capacity nor necessity for motor verification of
the intense sensations. In the mental dimension, in
contrast to the physical, the all-pervasive experience of
absolute certainty does not require further verification
(50)
and will be structured according to current mythology or
the belief system of a St. Francis, Pascal, or Ramakrishna.
What is one man's loss of freedom, therefore, may be
another's gain in creativity.
An increasing stereotypy can also be observed along the
perception-meditation continuum of increasing trophotropic
arousal (see Fig.
1, right); this
enables one to gradually exclude stimulation from without
and turn attention inward. Continuous trains of alpha waves
accompany these changes, and the dominant frequency of the
alpha pattern decreases toward the alpha-theta border
region, until some subjects, in a state of reverie, produce
long trains of theta waves (51)
[see the beta, alpha; and theta waves (52),
measured in hertz, in Fig.
1, right].
According to Green et
al.
(17),
the "alert inner-focused state is associated with the
production of alpha rhythm;" in this state Zen masters show
an alpha-blocking response to auditory clicks, but, in
contrast to normal controls, do not habituate to these
stimuli (51).
Since the alpha rhythm is not altered or blocked by
flashing lights, sounding gongs, or the touch of a hot test
tube during the deep meditation of Indian Yoga masters
(53),
the Yoga samadhi apparently represents a more intense state
of trophotropic arousal than Zazen does and must also
express a greater inability to function in physical
space-time than Zazen does. In fact, a Yoga master denies
noticing-any outside stimuli during deep meditation,
whereas control subjects show alpha-blocking with as little
stimulus as a flashing light (as do the Yoga masters
themselves when not meditating).
"Self": The Knower and Image-Maker; and "I": The Known
and Imagined
We have seen that the departure from the physical dimension
during a voyage on the perception-meditation continuum is
accompanied by a gradual loss of freedom, which is
manifested in the increasing inability to verify the
experience through voluntary motor activity
(53).
At the peak of trophotropic arousal, in samadhi, the
meditating subject experiences nothing but his own
self-referential nature, void of compelling contents. It is
not difficult to see a similarity between the meditative
experience of pure self-reference and St. Teresa's
description of her ecstasy: in both timeless and spaceless
experiences the mundane world is virtually excluded. Of
course, the converge is true of the mundane state of daily
routine, in which the oceanic unity with the universe, in
ecstasy and samadhi, is virtually absent. Thus, the mutual
exclusiveness of the "normal" and the exalted states, both
ecstasy and samadhi, allows us to postulate that man, the
self-referential system, exists on two levels: as "Self" in
the mental dimension of exalted states; and as "I" in the
objective world, where he is able and willing to change the
physical dimension "out there." In fact, the "I" and the
"Self" can be postulated on purely logical grounds. See,
for instance, Brown's reasoning (54)
that the universe is apparently
... constructed in order (and thus in such a way as to
be able) to see itself. But in order to do so, evidently
it must first cut itself up into at least one state which
sees, and at least one other state which is seen. In this
severed and mutilated condition, whatever it sees is only
partially itself... but, in any attempt to see itself as
an object, it must, equally undoubtedly, act so as to
make itself distinct from, and therefore, false to,
itself. In this condition it will always partially elude
itself.
In our terminology, the "Self" of exalted states is that
which sees and, knows, while the "I" is the interpretation,
that which is seen and known in the physical space-time of
the world "out there." The mutually exclusive relation
between the "seer" and the "seen," or the elusiveness of
the "Self" and the "I" may have its physiological basis in
the mutual exclusiveness of the ergotropic and trophotropic
systems (8).
A discernible communication between the "Self" and the "I"
is only possible during the dreaming and hallucinatory
states, whether drug-induced or "natural." These states can
be located approximately between coefficients of variation
10 and 13 on the perception-hallucination continuum
(Fig.
1, left) and in
the 9 to 12 hertz EEG range on the perception-meditation
continuum (Fig.
1, right). Such
"I"-"Self" communication is the creative source of art,
science, literature, and religion.
In spite of the mutually exclusive relation between the
ergotropic and trophotropic systems, however, there is a
phenomenon called "rebound to superactivity," or
trophotropic rebound, which occurs in response to intense
sympathetic excitation (55),
that is, at ecstasy, the peak of ergotropic arousal
(56).
A rebound into samadhi at this point can be conceived of is
a physiological protective mechanism; Gellhorn
(8,
9) was among the
first to notice that the rebound of the trophotropic system
is not confined to the autonomic branches, but also causes
significant changes in behavior. Thus, repetitive
stimulation of the reticular formation in the midbrain
increases the arousal level in awake cats, but this phase
is followed by one in which the animal yawns, lies down,
and finally falls asleep. This rebound phase is associated
with the appearance of theta potentials in the hippocampus
(57),
just as the corresponding human trophotropic
rebound-samadhi-is characterized by theta potentials
(17)
(see Fig.
1, right). These
rebound or reversal phenomena between ecstasy and samadhi
(8,
9) are
illustrated by the loop (58)
connecting the two extreme exalted states in
Fig.
1.
The "Self" of ecstasy and samadhi are one and the same, as
if the reflecting surface of a lake in Fig.
1 embraced both
exalted states. If the level of water in such a lake were
gradually raised, it would intersect successive and
corresponding hyper and hypoaroused states. The intersected
states represent levels of gradually diminishing
subjectivity (less "Self') and increasing objectivity (more
"I"), until eventually the objective "I"-state of the world
is reached. Thus, each level of water would connect a hyper
and hypoaroused state with a specific
subjectivity/objectivity (or "Self"-to"I") ratio, implying
a similarity between those pairs of hyper and hypoaroused
states that are connected by gradually raised levels of
water. This similarity might, for example, be used to
account for the success of the widely practiced
narcoanalytic technique of abreacting a traumatic,
hyperaroused experience in a hypoaroused state of similar
"Self"-to-"I" ratio. The similarity between corresponding
hyper and hypoaroused states could also account for the
hyperamnesic phenomena of the hypoaroused elderly, who
clearly recall the hyperaroused experiences of their youth,
but do not recall more recent experiences
(59).
During the ''I"-state of daily routine, the outside world
is experienced as separate from oneself, and this may be a
reflection of the greater freedom (that is, separateness or
independence) of cortical interpretation from subcortical
activity. With increasing ergotropic and trophotropic
arousal, however, this separateness gradually disappears,
apparently because in the "Self"-state of ecstasy and
samadhi, cortical and subcortical activity are
indistinguishably integrated. This unity is reflected in
the experience of Oneness with everything, a Oneness with
the universe that is oneself.
Sign-Symbol-Meaning Transformations
The separateness of subject and object during the daily
routine levels of arousal (in the "I"-state) has been
elaborated in our customary, rational, Aristotelian logic
and language--a two valued (either-or, true-false) logic
that discounts the interaction between observer (subject)
and observed (object) (60).
This separateness of object and subject, as we have seen,
is a reflection of the relative independence of cortical
interpretation from subcortical activity and is of survival
value in the "I"-state, where the subject must make
decisions of life and death by manipulating objects
(through voluntary motor activity).
But when we depart along either continuum from the "I"
toward the "Self," the separateness of object and subject
gradually disappears and their interaction becomes the
principal content of the experience. This interaction,
again, is a reflection of the gradually increasing
integration of cortical and subcortical activity. In this
state of Unity, the separateness of subject and object that
is implicit in dualistic, Aristotelian logic and language
becomes meaningless; only a symbolic logic and language can
convey the experience of intense meaning. Apparently, then,
meaning is "meaningful" only at that level of arousal at
which it is experienced, and every experience has its
state-bound meaning. During' the "Self"-state of highest
levels of hyper or hypoarousal, this meaning can no longer
be expressed in dualistic terms, since the experience of
unity is born from the integration of interpretive
(cortical) and interpreted (subcortical) structures. Since
this intense meaning is devoid of specificities, the only
way to communicate its intensity is the metaphor; hence,
only through the transformation of objective sign into
subjective symbol in art, literature, and religion can the
increasing integration of cortical and subcortical activity
be communicated.
The transformation of sign to symbol is also apparent in
the visual realm, where the constancies of space and time
are replaced by geometric-ornamental rhythmic structures,
the "hallucinatory form constants" of Kluver
(61).
In the light of my own experience, I would extend Kluver's
observations to include hyper and hypoaroused hallucinatory
experiences in general, whether electrically
(62),
"naturally" or drug-induced (63).
The hallucinatory constancies are "magical symbols" visible
or audible metaphors within a structure of symbolic logic
and language, the language of hyper and hypoaroused
hallucinatory states, and are at the base of the general
tendency toward geometric-rhythmic ornamentalization. For
example, both the rose windows of Gothic cathedrals and the
mandalas of Tantric religious art (64)
are ritualized hallucinatory form constants. The tendency
toward ornamentalization, however, is not reserved to
visual imagery, but also governs the order of poetic and
musical rhythm, imposing an all-pervasive metrum and
harmony on the hallucinatory creative-religious states
(65);
the rhythm of music, poetry, and language corresponds to
the geometric ornamental rhythm of the visual realm.
Therefore, the manneristic (66)
hallucinatory-creative style of art and literature is
regarded as a projection and elaboration of the
geometric-rhythmic ornamental fabric of hyper and
hypoaroused states.
State-Boundaries
Inasmuch as experience arises from the binding or coupling
of a particular, state or level of arousal with a
particular symbolic interpretation of that arousal,
experience is state-bound; thus, it can be evoked either by
inducing ("naturally," hypnotically, or with the aid of
drugs) the particular level of arousal, or by presenting
some symbol of its interpretation, such as an image,
melody, or taste. "Acquired aversions to tastes following
illness are commonplace in humans. The knowledge that the
illness was caused by the stomach flu and not the Sauce
Bernaise does not prevent the sauce from tasting bad in the
future" (67).
Alcohol induces the state of arousal necessary for the
recall of a state-bound experience in the film City Lights.
Here, Charlie Chaplin saves a drunken millionaire from
attempted suicide, and so becomes his good friend. When
sober, however, the millionaire does not remember Charlie.
However (68):
...the millionaire does not stay sober long. When he
is drunk again, he spots Charlie and treats him like a
long-lost friend. He takes Charlie home with him, but in
the morning, when he is again sober, he forgets that
Charlie is his invited guest and has the butler throw him
out.
Evidently, consciousness extends either between states of
drunkenness; or between states of sobriety; but there is
complete amnesia between the two discontinuous states of
sobriety and drunkenness, states with characteristic and
different "Self"-to-"I" ratios.
Charlie's story has been recently modeled and
scientifically validated by Goodwin et
al.
(69),
who had 48 subjects memorize-nonsense syllables while
drunk. When sober, these volunteers had difficulty
recalling what they had learned, but they could recall
significantly better when they were drunk again.
Bustamante et
al.
(70)
also observed amphetamine-induced (20 milligrams)
excitatory, and amobarbital-induced (200 milligrams),
"inhibitory," state-dependent recall of geometric
configurations. His volunteers both memorized and later
recalled the configurations under one of the two drugs. I
submit, however, that while remembering from one state to
another is usually called "state-dependent learning"
(71)
(implying that the individual was confronted with a
learning task), extended practice, learning, or
conditioning is not necessary for producing "state
boundness." On the contrary, a single experience may be
sufficient to establish state-boundness. Deja vu
experiences and the so-called LSD flashbacks are, I
believe, special cases of the general phenomenon of
state-boundness, Note that neither focal lesions nor
molecules of a hallucinogenic drug are necessary for the
induction of a flashback--a symbol evoking a past drug
experience may be sufficient to produce an LSD flashback
(72).
An 18-year old boy had a "bum trip" on "acid" and could not
"come down" for two weeks. After he drank wine with a group
of friends and was told by one of them that the wine
contained a high dose of LSD (which it did not), he
experienced hallucinations continuously for 14 days. And
here is the story of a'"flashback" involving no drugs
whatsoever (73).
I was in love with a college classmate, but he married
someone else. I also married, and even after four years and
a beautiful baby I still dreamed about this fellow.
Whenever I saw a car like his, my heart would pound even
though he had left town years before and I knew it couldn't
possibly be his. It follows from the state-bound nature of
experience, and from the fact that amnesia exists between
the state-of normal daily experience and all other states
of hyper- and hypoarousal, that what is called the
"subconscious" is but another name for this amnesia.
Therefore, instead of postulating one
subconscious, I
recognize as many layers of self-awareness as there are
levels of arousal and corresponding symbolic
interpretations in the individual's interpretive
repertoire. The many layers of self-awareness, each with
its characteristic "Self"-to-"I" ratio, remind one of the
captain with girl friends in many ports, each girl unaware
of the existence of the others, and each existing only from
visit to visit (that is, from state to state). This is how
multiple existences become possible: by living from one
waking state to another waking state; from one dream to the
next; one amobarbital narcoanalysis session to the next
(74);
from LSD to LSD (75);
from epileptic aura to aura (76);
from one creative, artistic, religious, or psychotic
inspiration or possession to another creative artistic,
religious, or psychotic experience; from trance to trance;
and from reverie to reverie.
References and Notes
1. W. Hess, Das
Zwischenhirn und die Regullerung von Kreislauf und
Atmung (Thieme,
Leipzig, 1938); Das
Zwischenhirn (Schwabe, Basel,
1949). Ergotropic arousal denotes behavioral patterns
prepatory to positive action and is characterized by
increased activity of the sympathetic nervous system and an
activated psychic state. These states may be induced
either naturally or, for example, through hallucinogenic
drugs. Trophotropic arousal results from an
integration of parasympathetic with somatomotor activities
to produce behavioral patterns that conserve and restore
energy, a decrease in sensitivity to external stimuli, and
sedation. During ergotropic and trophotropic arousal,
"alterations in autonomic activity are not confined to the
visceral organs, but induce changes in cortical activity"
[W. Hess cited by Gellhorn(9)].
2. R. Fisher, in Psychiatry
and Art, vol.
2, Art
Interpretation and Art Therapy, I. Jakab, Ed.
(Karger, Basel, 1969), p. 33.
3. R. Gelpke, quoted by A. Hofmann. In Sonderabdruk
aus dem Basler Stadtbuch (Basel 1964).
4. R. Fischer, in Proceedings
of the 4th International Congress of
Pharmacology (Schwabe, Basel,
1970), vol. 33, p. 28; Ann. N.Y.
Acad. Sci. 138, 440
(1967).
5. The word "hyperphrenic" was suggested to me by Dr. A.
Bader, Lausanne, Switzerland. 6. Saint Teresa,
The Life of
Saint Teresa, J. M. Cohen,
Transl. (Penquin, Baltimore, 1957), p. 142. 7. W.
Ashby, Design for a
Brain (Wiley, NY
1960), p. 88.
8. E. Gellhorn, Psychol.
Forsch. 34, 48 (1970).
9. _____, J. Nerv.
Ment. Dis. 147, 148 (1968).
10. E. Hebbard and R. Fischer, Psychopharmacologia
9,
146 (1966).
11. J. Silverman and K. Gaarder, Percept.
Mot. Skills 25, 661 (1967).
12. R. Fischer, J. Nerv.
Ment. Dis. 119, 492 (1954).
13. H. Selye, J. Clin.
Endocrinol. Metab. 6, 117 (1946).
14. M. C. Franck and W. Kuhlo, Arch.
Psychiat. Nervenkr. 213, 238 (1970).
15. J. Aschoff, ibid.,
211,
325 (1968).
16. K. Gaarder, R. Koresko, W. Kropff, Electroencephalogr.
Clin. Neurophysiol. 21, 564 (1966).
17. E. Green, A. Green, E. Walters, J.
Transpersonal Psychol. 1, 1 (1970).
18. R. D. Ditchburn and D. Fender, Opt.
Acta 2, 128 (1955).
Immobilization is accomplished by attaching a tiny mirror
to a contact lens in such a way that the image will follow
micronystagmoid movements of the eye. Also see R.
Prichard, W. Heron, D. Hebb [Can. J.
Psychol. 14, 67 (1960)].
19. K. Behanan, Yoga, A
Scientific Evaluation (Dover, NY
1937), p. 223. The cobra has fixed eyes to begin
with; therefore, to compensate for the lack of scanning eye
movements, it must sway its head rhythmically to fixate the
image of its victim. (If nothing else, one practical
application of this paper may be the following: whenever
you meet a cobra, swing along with him and he won't be able
to locate you.) 20. R. Fischer, T. Kappeler, P. Wisecup, K.
Thatcher, Dis. Nerv.
Syst. 31,91 (1970); K.
Thatcher, T. Kappeler, P. Wisecup, R. Fischer,
ibid.,
p. 181.
21. R. Fischer, ibid,
30, 161 (1969). J. Strauss's evidence also suppors this
concept of the continuous, nondiscrete nature of perceptual
and hallucinatory experience [Arch. Gen.
Psychiat. 21, 581 (1969)].
Our definition of hallucinations or dreams as experiences
characterized by a high S/M ratio is free of value
judgment, thus implying that hallucinatory experience can
be labeled pathological, artistic, religious, and so on,
according to one's taste [and taste threshold; see R.
Fischer, in Gustation
and Olfaction, G. Ohloff and
A. E. Thomas, Eds. (Academic Press, NY 1971), pp. 187-237].
22. The cross-tolerance between LSD, psilocybin or
mescaline [H. Isbell, A. Wolbach, A. Wikler, E.
Miner, Psychopharmacologia
2,
147 (1961); A. Wolbach, H. Isbell, E. Minor,
ibid,
3, 1 (1962)] as well as the characteristic square-wave
pattern of saccadic movement they elicit [E. Hebbard and
R. Fischer, ibid.,
9,
146 (1966)] mark these drugs as the hallucinogenic,
psychotomimetic, psychedelic, or psychodysleptic
drugs. It is implied, therefore, that any state which
can be induced by one of these drugs can be duplicated by
the others as well.
23. R. Corlis, G. Splaver, P. Wisecup, R. Fischer,
Nature
216,
91 (1967).
24. "Constancies" assure the recognition of identity; they
refer to what Piaget meant by the "conservation" of area,
distance, length, volume, and so on [J. Plaget, B.
Inhelder, A. Szeminska, The Child's
Conception of Geometry, E. A. Luzer,
Transl. (Routledpge, London, 1960), p. 390]. For example,
wearing prism spectacles results in a variety of visual
distortions which, due to the cortical transformation of
subcortical (retinal) information, gradually disappear with
time. Perceptual-behavioral constancies can be formalized
as information (or signal to noise) ratios; that is, as
dimensionless quantities [R. Fischer, F. Griffin, R. C.
Archer, S. C. Zinsmeister, P. S. Jastram,
Nature
207;
1049 (1965)].
25. R. Hill, R. Fischer, D. Warshay, Experientia
25,
171 (1969).
26. R. Fischer, R. Hill, D. Warshay; ibid.,
p. 166. (1969).
27. R. Fischer, P. Marks, R. Hill, M. Rockey,
Nature
218,
296 (1968); R. Fischer, In Origin and
Mechanisms of Hallucinations, W. Keup, Ed.
(Plenum, New York, 1970) pp. 303-332.
28. R.. Fischer, R. Hill, K. Thatcher, J. Schelb,
Agents
Actions 1, 190 (1970).
29. R. Hill and R. Fischer, Pharmokopsychiat.
Neuro-Psychopharmakol. 3, 256 (1970).
30. H. Rennert, Confin.
Psychiat. 12, 23 (1969).
31. L. Navratil, ibid.,
p. 30.
32.R. Fischer and R. Kaelbling. in Recent
Advances In Biological Psychiatry, J. Wortis,
.Ed. (Plenum, New York, 1967), vol. 9, p. 183; R. Fischer,
L. Ristine, P. Wisecup, Biol.
Psychiat. 1, 209 (1970).
33. R. Fischer, H. Dunbar, A. Sollberger,
Arnzneimittel-forschungs
21,
135 (1971).
34. L. Bender, in Psychotomemtic
Drugs, D. Elron, Ed.
(Raven, New York, 1969), p. 267.
35. R. Fischer, Perspect.
Biol. Med. 12, 259 (1969).
The loss of a limb or an organ, for instance, can be
regarded as a distortion of corporeal awareness; the
phenomenon that corrects for this distortion results in a
very real feeling that the lost limb or organ is still
there, but this is only a phantom sensation.
36. S. Kuromaru, S. Okada, M. Hanada, Y. Kasahara. K.
Sakamoto, Psychiat Neurol. Jap. 64, 604 (1962).
37. R. Fischer, Ann. N.Y.
Acad. Sci. 96, 44 (1962).
38. A. Hofmann, in Discoveries
In Biological Psychiatry, F. Ayd and
Blackwell, Eds. (Lippincott, Philadelphia, 1970), chap. 7.
39. R. Fischer, in The Voices
Of Time, J. Fraser, Ed.
(Braziller, New York, 1966), p. 357.
40. P. MacLean, J.
Neurosurg. 11, 29
(1954); Amer. J.
Med. 25, 611 (1958).
41.The mean increase in pupillary diameter induced by 160
micrograms of psilocybin per kilogram of body weight in 34
college-age male volunteers was 0.93 millimeter, standard
deviation = +
0.52; whereas in
13 females, the mean increase was 0.56 millimeter, standard
deviation = +
0.27.
42. R. Fischer and D. Warshay. Pharmakopsychiat.
Neuro-Psychopharmakol. 1, 291 (1968);
R. Fischer, Perspect.
Biol. Med. 12; 259
(1969).
43. G. Maranon, Rev. Fr.
Endochrol. 2, 301 (1924).
44. S. Schachter and J. Singer, Psychol.
Rev. 69, 379
(1962).
45. H. Lennard, L. Epstein. A. Bernstein, D. Ransom,
Science
169,
438 (1970).
46. L. Goldstein, I. Murphree, A. Sugerman. C. Pfeiffer, E.
Jenney, Clin.
Pharmacol Ther. 4, 10 (1963).
47. K. Thatcher, W. Wiederholt, R. Fischer,
Agents
Actions 2, 21 (1971); G.
Marjerrison, A. Krause, R. Keogh, Electroencephalogr.
Clin. Neurophysiol. 24, 35 (1967).
48. R. Fischer, in Genetic
Factors in "Schizophrenia," A. Kapan, Ed.
(Thomas, Springfield, IL, in press).
49. B. Pauleikhoff, Fortschr.
Neurol. Psychiat. 37, 476
(1969). The distinction between a conversion
experience is pointed out by H. Weibrecht
[Beitrage zur
Religionspsychopathologie, insbesondere zur
Psychopathologie der Bekehrun (Scherrer,
Heidelberg, 1948)] His four schizoprhenics experienced a
religious conversion during their psychoses. Although after
remission they had insight into the diseased nature of
their psychoses, they continued to regard their conversion
experiences as valid turning points. We conceptualize
conversion experiences as confrontations and dialogue
between a man's worldly "I" and his ecstatic (or
meditative) "Self," resulting in the creation of a more
consistent personality--one that has "found its style." [R.
Fischer, Confin.
Psychiat. 13, 1
(1970); ibid.,
in
press].
50. Pascal recorded at the peak of his decisive religious
illumination: "Fire. God of Abraham, God of Issac, God of
Jacob, not of the philosophers and the scientists.
Certainty. Certainty." [M. Arland, Pascal
(l'Enfant Poete,
Paris, 1946) pp. 120-121].
51. A. Kasamatus and T. Hirai, Psychologia
6,
89 (1963); Folia
Psychiat. Neuro. Jap. 20, 315 (1966).
52. It is likely that these parietal, low-frequency EEC
wave are related to dendritic field-potential charges.
53. B. Anand, G. Chhina, B. Singh, Electroencephalogr.
Clin. Neurophysiol. 13, 452 (1961).
54. G. Brown, Laws of
Form (Allen, London,
1969), p. 105. Saint Teresa elegantly expressed this
partial elusiveness: "There remains the power of seeing and
hearing: but is as if the things heard and seen were all a
great distance far away" [in E. Underhill,
Mysticism
(Methuen,
London, 1912), p. 450].
55. E. Gellhorn, Acta
Neuroveg. 20, 181 (1959).
56. Such rebound would be called "inhibition" in pavlovian
terminology [I. Pavlov, in C. Murchison,
Psychologies
of 1930 (Clark Univ.
Press, Wocester, MA, 1930), p. 213], and "phase of
resistance" by Selye [Stress
Acta, Montreal, 1950),
pp. 15-43]. It can also be accounted for within the frame
of Wilder's Law of Initial Value, which states that "the
higher the initial value of a measured function, the lower
is the tendency of the system to respond to furthering
stimuli, while the highest as well as the lowest values
tend to result in a reversal of
action (italics mine)"
[J. Wilder, J.
Psychother. 12, 199 (1958)].
57. P. Parmeggiani, Brain
Res. 7, 350 (1968).
58. The "loop" in Fig.
1 has also been
independently suggested to me (on experiential grounds
alone) by both Dr. J. H. M. Whiteman, University of Cape
Town, South Africa, and Marilyn Delphinium Rutgers,
Glen-Ellen, CA. I am gratefully indebted to them, as well
as to Primarius Dr. Leo Navratil, Gugging, Austria, for
sharing with me their intuition and scholarship.
59. This example was suggested to me by Primarius Dr. Leo
Navratil, Gugging, Austria.
60. For example, neither quinine molecules nor a subject's
taste receptors are bitter per se--bitterness results only
during interaction of the two. Therefore, no taster,
no bitterness (just as there can be no image or sound of a
falling tree without a viewer or listener). [See R.
Fischer, Dis. Nerv.
Syst. 30, 161 (1969)].
61. H. Kluver, Mescal and
Mechanism of Hallucinations (Phoenix, Univ.
of Chicago Press, Chicago, 1966). p. 66.
62. M. Knoll, J. Kugler, D. Hofer, S. Lawder,
Confi.
Neurol.
23,
201 (1963).
63. W. Keup, Ed., Origin and
Mechanisms of Hallucinations (Plenum,
New York, 1970), pp. 95-210.
64. A. Mookerjee, in Tantra-Kunst,
R. Kumar, Ed. (Basillius, Basel, 1967-1968), p. 11.
65. R. Fischer, Confi.
Psychiat. 13, 1 (1970).
66. See L. Navratil, Schizophrenie
und Kunst (Deutsches
Taschenbuch Verlag, Munchen, 1965), p. 35;
Schizophrenie
und Sprache (Deutsches
Taschenbuch, Munchen, 1966), p. 162.
67. M. Seligman, Psychol.
Rev. 77, 416 (1970).
68. G. McDonald, M. Conway, M. Ricci, Eds.
The Films of
Charlie Chaplin (Citadel, NY,
1965), p. 191.
69. D. Goodwin, B. Powell, D. Bremer, H. Holne, J.
Stern, Science
163,
1358 (1969).
70. J. Bustamante, A. Jordan, M. vila, A. Gonzalez, A.
Insus, Physiol.
Behav. 5, 793 (1970).
71. R. Fischer, Dis. Nerv.
Syst. 32, 373 (1971);
____ and G. M. Landon, Brit. J.
Psychiat., in press.
The later paper also includes an extensive discussion of
state-dependent learning in human beings and animals.
Note that this term could just as well be "state-dependent
adaptation," since learning and adaptation are as
indistinguishable from each other as hallucinations and
dreams.
72. L. Tec, J. Amer.
Med. Ass. 215, 980 (1971).
73. From "Dear Abby," in Citizen
Journal, Columbus,
Ohio, 13 Jan 1971, p. 21.
74. Primarius Dr. Raoul Schindler, Vienna, informed me at
Linz in 1969 that a patient's thread of thought in
narcoanalyis resumes, after an injection of amobarbital,
exactly where it left off at the end of the previous
session.
75. Dr. Hanscarl Leuner, Gottingen, Germany, also
confirms (1970) that his patients in LSD-supplemented or
psycholytic therapy regard each LSD experience as a
continuation of the last.
76. M. Horowitz, J. Adams and B. Rutkin
[Arch.
Gen Psychiat. 19, 469 (1968)]
report from the case history of an epileptic girl that the
imagery of every aura consisted of "pigs walking upright
like people." In early grade school the girl would rip open
her blouse during a seizure, but, of course, she would not
remember this after the seizure. Nevertheless, her
classmates called her a pig, and it was this pig which she
saw "walking upright" in each aura.
77. The author is professor of experimental
psychiatry and associate professor of
pharmacology at the Ohio
State University College of Medicine, Columbus 43210. This
article is adapted from a paper presented at the AAAS
symposium on "Mood, Behavior, and Drugs" in Chicago, IL, 28
December 1970, and from a seminar given on 20 January 1971
at the department of psychiatry, Johns Hopkins University,
Baltimore, MA.
Supported in part by National Institute of Mental Health
grant 1 RO3 MH17633-01 and general research support
grants. I am indebted to Sandoz Pharmaceuticals,
Basel, Switzerland, and to Dr. John A. Scigliano, former
executive secretary, FDA-PHS Psychotomimetic Agents
Advisory Committee, Bethesda, Maryland, for generously
providing me with psilocybin (under IND-3350). I am also
grateful to Dr. Peter Gwyane, James Scheib, and Pamela
Furney for their devoted competence and to my creative
artist wife, Trudy, for vital perceptual as well as
cognitive illumination.